Obviously, With a name like Dronewrx, we specialize in aerial cinematography. We started flying drones commercially in 2013 and never looked back. As our experience grew, our services have expanded. Our founder, Drew Cobb, was producing video content long before drones or camera stabilization entered the picture, then a lifetime of experience lead us to aerial cinematography & robotic camera movement.
Over the past several years we’ve expanded our services to include car-to-car vehicle stabilization using the Flowcine Black Arm. This led to the development of the ChaseJib, which replaces Russian Arm / Motocrane’s, simplifying car shoots, making them much easier, safer and affordable. Streamlining that process gives us the ability to offer both drone AND car-to-car with the same crew. Shooting with the ChaseJib doesn’t require ITC’s (Intermittent Road Closures) TCP’s (Traffic Control Plans) and MPO’s (Motion Picture Officers), or “traffic wranglers” saving you lead time, planning and money.
In 2020 we partnered with Industry Sherpa to purchase the first Eagle Eye 100 system in the US. The EE-100 is a 4 winch robotic cable camera system. We also offer simple point-to- point Dactylcam systems.
As a professional Los Angeles drone pilot and aerial cinematographer, Drew brings the precision you need when critical shots are on the line, more importantly, a “creative eye on the fly.” Flying commercially since 2013, he earned his Part 333 exemption and Part 61 pilot’s license before Part 107, giving him a deep understanding of flight dynamics, safety, and airspace.
With a film career that predates drones, Drew is fluent in camera setup, lensing, and visual language, and his calm, solutions focused presence under pressure is a constant asset on set. At Dronewrx, he leads a lean, highly experienced aerial cinematography services team that collaborates closely with your production, delivering broadcast and cinema‑grade drone footage with lower overhead, so producers get top‑tier aerials without top‑heavy pricing.
Our credits include: Master Chef , Ford, Lexus, Subaru, Genisis, Chevy Trucks, Coachella, Head in the Clouds, Wipe Out, Amazing race, Netflix, “Spartan Ultimate Team Challenge”, “NBC’s Law&Order True crime “, Chevy Trucks , HBO, Suzuki & Kawasaki motorcycles.
Eric Bergez has over two decades of expertise and achievement in the entertainment industry with a unique blend of on-set production and post-production experience. Eric is a technology specialist and former Vice President of Intuitive Aerial, Inc, he continuously works with some of LA’s top UAS service providers and is one of the most professional aerial cinematographers in town. A veteran of remote camera systems, Eric is repeatably called upon by experts in live broadcast, long form production and commercials to operate or tech in a variety of moving images. Notwithstanding his drone prowess, Eric excels at providing alternative methods of moving cameras and remote camera solutions including car-to-car, 2D & 3D wire systems, railcams and remote stabilized camera systems utilizing some of the most advanced wireless technology in the world. Eric is the owner of Industry Sherpa.
Credits: “World of Dance”, “The Masked Singer”, “Master Chef”, “The Orville”, “Watchmen”, “The Rookie”, “VMAs”, “AMAs”, etc.
Cinematographer Austin Harris has emerged as a dynamic young talent, leading the charge in both commercial and narrative cinematography. With a keen eye for detail and a knack for capturing captivating aerial footage as a skilled drone cameraman, Austin seamlessly transitions between roles as a first assistant camera (1st AC) and director of photography (DP).
Having lent his expertise to industry giants such as Marvel, Disney, and NBC, Austin has left an indelible mark on some of the most iconic commercial brands worldwide. Countless productions have entrusted Austin with the task of bringing their content to life, relying on his meticulous attention to detail and creative vision.
Since embarking on his journey as a DP in 2009 and becoming a member of Local 600 in 2013, Austin has traversed the globe, capturing moments of beauty and human emotion with unparalleled skill. To explore more of Austin’s impressive body of work, visit his website at Austin Harris Films.
As a professional drone pilot, Michael Jennings is focussed on camera movement and what it can do for a story. Drawing on cutting‑edge FPV platforms and custom builds—from LED drones to drop rigs, he brings a level of precision and creativity that turns complex moves into clean, usable shots. He’s as comfortable threading tight interiors as he is chasing high‑speed action, always balancing dynamic flight paths with clear, readable composition.
Michael’s work spans TV, live broadcast, and cinema, and he approaches every project as a collaboration. He’ll help your team choose the right aerial platform and camera for the job, then design FPV moves that fit seamlessly into the visual language of the production. At Dronewrx, his specialty is delivering those “impossible” angles – immersive, in‑the‑action FPV that still cuts smoothly with traditional coverage and keeps producers, directors, and safety teams confident on set. You can see more of his work at Vista Aerials
Andy (Andreas) Schuler is the most knowledgeable Eagle Eye technician on the planet. He’s a globe trotting German with a larger-than-life personality and leaves a lasting impression wherever he goes. Andreas has set-up and operated systems from Singapore to Sweden, and we’re lucky to have him as a member of our team.
In addition to his role with us, Andy is the owner of M.A.T. Towercam Germany, further solidifying his status as a leader in remote camera technology. And yes, he can sit like that comfortably for extended periods of time which is ideal for some of the situations we are working in. As a true European, Andy is fluent in multiple languages, and loves to tell funny stories over pizza and beer.
You can check out his camera toys at: MAT Towercam